500Px

Friday, August 26, 2011

Back Lit

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The one thing you can always count on in nature photography is that your subject won't care if they give you the wrong angle for the light.  We found this bear on a recent seal kill but the sun was shining from behind him but not far enough behind him to work with rim light.  We couldn't safely get on shore and move to a better angle so instead, I just choose to go in tight.


Thursday, August 11, 2011

My Mother’s Daughter



I am my mother’s daughter.  As I scoured the trapper’s camp for good angles on the long abandon rowboats and food cashes, I suddenly found myself drawn to the midden heap.  Ok, it was really the dump or garbage pile but midden heap sounds much more historical and less icky so I’m sticking with it.  I was reminded of walks through the woods with my mother, finding little cabins long abandon and searching for hidden treasures.  A maple syrup tap was one of our greatest finds and I can still see it held high in my mother’s triumphant hand today.  























I held up a rusted key from a tin of sardines, square nails, a rusted fork and a wine bottle with a hand carved stopper.  I can just imagine the trapper on a cold winter night, carving that stopper after his sardine meal.  Saving the last bit of wine for another night.  No Internet, no TV, no Twitter or Facebook.  Just a man and the elements.
Remains of a meal
Unlike my mother, and after hearing the sage words from Paul, “You can’t steal history”, I left my pile of treasures where I found them.  As an historic site I’m certain it will see many more visitors over the years.  You never know, there might be someone else who likes garbage as much as I do and these items will be there for them to explore.
Were these discharged at a threatening polar bear or simply to dispatch a reindeer for dinner?

Saturday, August 6, 2011

Quick Field Outing

Caitlin gently lifts the new-born from the nest
Caitlin shows off the newly-born plover chick
I'll get back to Svalbard next week but wanted to share a couple of shots from a quick field outing with biologist,

The second sibling emerges
Jaymi Heimbuch, a talented writer for TreeHugger (Twitter: @JaymiHeimbuch), away from her warm bed at an ungodly hour to accompany me to the plover breeding grounds near Hayward, California.  We caught up with Caitlin and headed into the restricted reserve in search of





A quick check to make certain mom is watching before putting the newly banded chick back with it's sibling. Snowy Plovers are perfectly camouflaged on the salt ponds.  Do you see the nest with the second chick beginning to hatch?

Friday, August 5, 2011

Getting the Shot in the Field

It was late in the night with a strong wind kicking up when we pulled into the tiny protected harbor.  Through the fog and rain we could just make out the trappers cabin and abandon boats on shore.  We were headed back to Longyearbyen and so we knew that if the weather broke we would have only a short while on land in this location that was rich with photographic subjects. I packed my bag that night, trading out long lenses for shorter wide-angles, a flash, my filters and other accessories.  
Historic Trapper's Site

Early that morning the weather broke and gave us some dramatic storm light on the scene so we sprang into action.  Meg, Paul, Steve and I headed to shore and split in different directions, pulled by our differing perspectives. 

Straight shot of oil drum
I found myself drawn to this old oil drum that had been cut open and apparently used to catch fresh rain water.  It was in the shade of the hut and the sky was bright, a straight shot wasn't going to cut it.  Sure, I could shoot for the middle of this scene and spend hours dodging and burning in Photoshop to "fix" it or I could shoot multiple exposures and blend them but who wants to spend all that time in front of the computer?

   
Same shot with flash and ND filters applied


Instead I pulled out my flash and set it up off-camera to the far left of the scene to illuminate the face of the barrel.  I then pulled out my trusty Singh-Ray filters and choose my soft edge, 2-stop graduated ND to hold back the light from the sky putting my flashed foreground in balance with the sunlit scene in the background.

We only had an hour in a location where I could have spent days, but I made the most of my time here simply because I was prepared to take advantage of the opportunities.  A few moments of planning the night before and knowing what equipment to use allowed me to capture the image I wanted in less than two minutes set-up time and saved me headache and frustration at home on the computer.